String quartet · about 27–30 minutes

Ravel: String Quartet in F

Glowing colours, tricky rhythms and demanding parts for all four players. For an experienced quartet that likes to work things out together; very rewarding once it clicks.
Very demanding
For 2 violins, viola and cello
Players
2 violins, viola and cello
Difficulty
Very demanding, judged by the hardest part
Length
About 27–30 minutes
Written
1902–03
Also known as
String Quartet in F major · M. 35 · Ravel quartet

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Violin 1
Long, high, singing lines in the first movement and fast, stormy writing in the finale. Very exposed throughout.
Very demanding
Violin 2
Shimmering accompaniment figures, lots of pizzicato in the second movement and rhythms that cut across the first violin.
Advanced
Viola
Introduces the main theme of the slow movement, and shares the tricky cross-rhythms of the scherzo.
Advanced
Cello
Bass line, plucked patterns and some lovely melodic moments. The odd meters of the finale need a firm, steady pulse.
Advanced

The movements

I. Allegro moderato. Gentle and flowing, with two themes that come back later. Soft playing with a clear melody on top.
II. Assez vif, très rythmé. Starts with plucked strings and plays patterns in three against patterns in two. Count carefully; it’s easier than it sounds once everyone knows where the beat is.
III. Très lent. Very slow on paper, but full of tempo changes. The viola starts the main theme, then the first violin takes it.
IV. Vif et agité. Short and stormy, switching between 5/8, 5/4 and 3/4, with a brief calm look back at the opening.

Reading it together for the first time

Start with the first movement; it’s the most familiar in sound and the gentlest on rhythm.
Use the revised (Durand, 1910) parts on IMSLP for everyone, so bar numbers and markings agree.
Before the second movement, agree where the beat is when patterns in three run against patterns in two; in the finale, mark how each 5/8 bar is grouped.
Keep a translation of the French markings handy: even the movement titles use assez, vif, rythmé, lent and agité.

About the piece

Ravel finished the quartet in early April 1903, aged 28, and dedicated it to his teacher Gabriel Fauré, who was not very impressed. The Heymann Quartet gave the first performance at the Société nationale de musique in Paris on March 5, 1904. Debussy liked it and wrote Ravel an encouraging letter. It was first published in 1905, and a revised edition followed from Durand in 1910.
Its four-movement plan follows Debussy’s quartet of 1893, but the music sounds quite different. Themes from the first movement return later, in the slow movement and the finale. The second movement begins with plucked strings and sets patterns in three against patterns in two; the finale keeps changing between 5/8, 5/4 and 3/4.

Hear it live

No performances in New York, Boston, the Bay Area or Los Angeles on our listings right now. We update them every week.

What to play next

Debussy · String Quartet in G minor, Op. 10
The quartet Ravel modelled his plan on, at the same level: the natural pair.
Very demanding
Dvořák · String Quartet in F, Op. 96 “American”
An easier quartet in the same key, a good warm-up for the same four players.
Advanced
Ravel · Piano Trio in A minor
Ravel again, just as colourful, for violin, cello and piano.
Very demanding
Ravel · Introduction and Allegro
Ravel for a bigger group: add harp, flute and clarinet to your quartet.
Very demanding
More in the full list by difficulty, or browse:

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