Dvořák: Piano Quintet No. 2
Piano and strings · about 38–40 minutes

Dvořák: Piano Quintet No. 2 in A, Op. 81

Full of melody and Czech dance rhythm, with good parts for all five players: a rewarding Romantic quintet for a group with a capable pianist and first violinist.
Advanced
For 2 violins, viola, cello and piano
Players
2 violins, viola, cello and piano
Difficulty
Advanced, judged by the hardest part
Length
About 38–40 minutes
Written
1887, in Vysoká
Also known as
Op. 81 · B. 155 · Piano Quintet in A major

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Violin 1
Takes over the main theme in the first movement and leads the fast music of the furiant and finale. Plenty of high, quick passages.
Advanced
Violin 2
Mostly accompaniment and inner voices, with rhythmic patterns that need to stay light and even.
Intermediate
Viola
Has melodic moments of its own and many inner lines. Comfortable, but often heard clearly.
Intermediate
Cello
Opens the whole quintet with the main theme over the piano, and leads a relaxed second tune in the scherzo. Exposed from the first bar.
Intermediate
Piano
A big, varied part, from gently swaying accompaniment to fast, showy passages in the finale. The pianist holds the long dumka together.
Advanced

The movements

I. Allegro ma non tanto. The cello’s warm opening tune, then sudden loud outbursts. Agree on the tempo of the opening before you start.
II. Dumka. Andante con moto. Sad and slow, with faster sections in between. The longest movement, and the most varied in tempo.
III. Scherzo (Furiant). Molto vivace. A quick dance, close to a fast waltz, with a calmer trio in F major. Exciting, and easier to read than it sounds.
IV. Finale. Allegro. Lively and rhythmic, rushing to a bright close. Watch the first violin and piano in the fast passages.

Reading it together for the first time

Start with the scherzo. It’s short and catchy, and its speed is a quick test of the group’s ensemble.
In the dumka, stop before each faster section and agree on the new tempo. The changes are where it falls apart.
Print parts from the same edition. Simrock’s 1888 first edition is free on IMSLP, so it is an easy choice for all five players.
At around forty minutes, plan for a full session if you want to play through and then rehearse.

About the piece

Dvořák had been unhappy with an earlier piano quintet in the same key, his Op. 5. Fifteen years later he began revising it, but seems to have decided to write a completely new work instead. He composed it between August and October 1887 at his summer home in Vysoká, and it was first performed in Prague in January 1888. Simrock published it in Berlin the same year.
It borrows the moods and rhythms of Czech folk music without quoting folk songs. The slow movement is a dumka, where a sad refrain keeps returning between quicker, brighter episodes, and the scherzo is titled a furiant, after a fast Czech dance. The finale ends with bright runs on the five-note scale that point toward the music Dvořák later wrote in America.

Hear it live

No performances in New York, Boston, the Bay Area or Los Angeles on our listings right now. We update them every week.

What to play next

Dvořák · Piano Trio No. 4 in E minor, Op. 90 “Dumky”
Same level, Dvořák’s whole trio made of dumky. For the pianist and two of the strings.
Advanced
Schumann · Piano Quintet in E-flat, Op. 44
Same players and level: the earlier quintet that shaped Dvořák’s and Brahms’s.
Advanced
Dvořák · String Quartet in F, Op. 96 “American”
Dvořák for the four string players, at the same level.
Advanced
Dvořák · Piano Quartet No. 2 in E-flat, Op. 87
Dvořák with piano again, a step up for violin, viola, cello and piano.
Very demanding
Brahms · Piano Quintet in F minor, Op. 34
The step up for the same five players: denser and more demanding.
Very demanding
More in the full list by difficulty, or browse:

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