Schumann: Fantasiestücke, Op. 73
Duo · about 10–12 minutes

Schumann: Fantasiestücke, Op. 73

Three short, warm pieces that go from dreamy to exuberant in about ten minutes. Written for clarinet, but published with alternatives for violin or cello, so it suits many pairs.
Advanced
For clarinet and piano
Players
clarinet and piano
Difficulty
Advanced, judged by the hardest part
Length
About 10–12 minutes
Written
February 1849, in Dresden
Also known as
Fantasy Pieces · Op. 73 · Soiréestücke

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Clarinet
Long, singing lines in the first piece, then quicker, wider-ranging writing. The third piece is the hardest, with fast passages and stamina at the end.
Advanced
Piano
Constant, flowing accompaniment that often shares the tune. Not hard to read, but the third piece is busy and must stay light.
Intermediate

The movements

I. Zart und mit Ausdruck. “Tender and with expression”: a quiet, singing piece. Breathe with the clarinettist and let the piano’s triplets flow underneath.
II. Lebhaft, leicht. “Lively, light”: a bright piece with a contrasting middle section. Keep it buoyant rather than fast.
III. Rasch und mit Feuer. “Quick and with fire”: the most energetic, speeding up twice at the end. Pace yourselves so there’s something left for the coda.

Reading it together for the first time

Play all three in order: they are short, linked by themes and meant as one set.
Clarinettists: Henle prints parts for both A and B♭ clarinet. Check which one you’ll bring.
If a violinist or cellist is playing, use the published violin or cello part, not the clarinet part, so the range fits.
At around ten minutes it fits easily into a session alongside a longer sonata.

About the piece

Schumann wrote the three pieces in Dresden in just two days in February 1849, first calling them Soiréestücke (evening pieces). Luckhardt published them the same year. He wrote them for clarinet, but they were published with the option of violin or cello instead.
They are meant to be played as a set, moving from inward and tender to bold and outgoing. The first is in A minor and ends in A major, and the last two are in A major. The finale brings back ideas from the first piece and ends with a coda where Schumann asks twice for more speed.

Hear it live

No performances in New York, Boston, the Bay Area or Los Angeles on our listings right now. We update them every week.

What to play next

Schumann · Three Romances, Op. 94
Schumann again, a little easier: three more short pieces, for oboe.
Intermediate
Saint-Saëns · Clarinet Sonata in E-flat, Op. 167
Same level for clarinet and piano, in a lighter French style.
Advanced
Poulenc · Clarinet Sonata
Same level, a 20th-century contrast for the same pair.
Advanced
Brahms · Two Sonatas, Op. 120
The step up in Romantic clarinet sonatas, much harder for both players.
Very demanding
Schumann · Five Pieces in Folk Style, Op. 102
For cellists who played the cello option: more Schumann short pieces, written for cello.
Advanced
More in the full list by difficulty, or browse:

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