Schubert: String Quintet
Strings · about 47–53 minutes

Schubert: String Quintet in C, D. 956

Close to an hour of deep, searching music for strings, with two cellos instead of two violas. For an experienced group with time and stamina; every part matters.
Very demanding
For 2 violins, viola and 2 cellos
Players
2 violins, viola and 2 cellos
Difficulty
Very demanding, judged by the hardest part
Length
About 47–53 minutes
Written
1828
Also known as
D. 956 · Cello Quintet · String Quintet in C major

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Violin 1
Long, high and exposed, including the halting, broken-up phrases over the slow melody in the Adagio. Needs control at very soft levels as much as speed.
Very demanding
Violin 2
Part of the inner trio that carries the Adagio’s slow melody, and busy with accompaniment figures in the outer movements.
Advanced
Viola
The only viola, at the centre of the texture: inner melody in the Adagio and plenty of fast work in the scherzo.
Advanced
Cello 1
Plays high and sings: the duet second theme of the first movement and a share of the Adagio’s melody. Often more like a tenor than a bass.
Very demanding
Cello 2
The true bass of the group, with the pizzicato line under the Adagio and the duet with Cello 1 in the first movement.
Advanced

The movements

I. Allegro ma non troppo. Opens on a long, spacious C major chord and unfolds slowly. The two cellos’ duet is the heart of it; agree in advance whether to take the exposition repeat.
II. Adagio. Very slow and still in E major, with a sudden stormy middle section in F minor. The hardest test of bow control in the piece.
III. Scherzo. Presto – Trio. Andante sostenuto. A fast, ringing scherzo full of open strings, then a slow, dark trio in D-flat. The change of tempo needs a clear lead.
IV. Allegretto. A dance with a Hungarian flavour, starting in the minor. The ending gets faster and finishes on that step from D-flat to C, played loud by everyone.

Reading it together for the first time

Decide who takes Cello 1 before you start: it sits much higher than Cello 2 and has more of the tunes.
Start with the scherzo or finale to warm up, then give the Adagio a calm, unhurried read later in the session.
Leave out the first-movement repeat on a first read; it’s long enough without it.
Allow at least two and a half hours: the piece alone runs close to an hour, and you’ll want to go back to the Adagio.

About the piece

Schubert finished the quintet in late September or early October 1828, about two months before he died, in the same months as his last three piano sonatas and some of the Schwanengesang songs. He offered it to the publisher Probst, who asked instead for songs and more popular piano music. The Hellmesberger Quartet gave the first known public performance at the Musikverein in Vienna on November 17, 1850, and Spina published it in 1853.
The second cello, where a second viola was more usual, gives the whole piece a deep, rich sound. The first movement alone takes more than a third of the length, and its second theme is a duet for the two cellos. Schubert keeps turning to the key a half step above home, C to D-flat, most memorably in the closing two notes.

Hear it live

No performances in New York, Boston, the Bay Area or Los Angeles on our listings right now. We update them every week.

What to play next

Boccherini · String Quintet in E, Op. 11 No. 5 (with the Minuet)
The same two-cello line-up at an easy level: a gentle way for the five of you to start.
Approachable
Mozart · String Quintet in G minor, K. 516
A level easier, also a deep and serious quintet, but with two violas instead of two cellos.
Advanced
Schubert · String Quartet in A minor, D. 804 “Rosamunde”
Schubert in quartet form, one level easier, with the same singing melodies.
Advanced
Schubert · String Quartet in D minor, D. 810 “Death and the Maiden”
Same level and same composer: another big, late Schubert work for four of the same players.
Very demanding
Brahms · String Sextet No. 1 in B-flat, Op. 18
Add a second viola: a rich, two-cello Romantic sextet one level easier.
Advanced
More in the full list by difficulty, or browse:

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