Schubert: Fantasie in F minor (four hands)
Piano duet · about 19–21 minutes

Schubert: Fantasie in F minor, D. 940 (four hands)

A deeply serious, continuous piece for two pianists at one keyboard. It suits a pair who have read lighter duets together and want something with real weight.
Advanced
For 2 pianos
Players
2 pianos
Difficulty
Advanced, judged by the hardest part
Length
About 19–21 minutes
Written
1828, in Vienna
Also known as
Fantasia in F minor · D. 940 · Op. 103

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Primo
Carries the opening melody, very softly and over a long span, which is exposed from the first bar. The scherzo is quick and light in the upper register.
Advanced
Secondo
Bass and harmony, with the dramatic outbursts of the Largo and the weight of the fugue. In most duos the secondo also pedals, so the sound of the whole piece is partly in these hands.
Advanced

The movements

I. Allegro molto moderato. The quiet, dotted opening tune over a gentle accompaniment, then a darker, solemn second theme. Keep the accompaniment soft.
II. Largo. Loud, double-dotted and tense, then a softer, singing idea. The dotted rhythms must be sharp and exactly together.
III. Allegro vivace. A quick scherzo with a light, graceful trio in D major. Fast and light; the hardest section to keep clean.
IV. Tempo I. The opening returns, then becomes a fugue. Both players need to bring out the subject wherever it appears.

Reading it together for the first time

Decide who sits where before you start: the primo has the melody, the secondo usually pedals.
Read the opening section on its own first; it’s the easiest and sets the mood for everything else.
The music runs without a break, so agree who turns the pages and mark the awkward turns before you start.
It lasts about twenty minutes, so even an hour leaves time to play it through and go back to the scherzo and the fugue.

About the piece

Schubert began it in Vienna in January 1828, the last year of his life, and finished it in March. His friend Eduard von Bauernfeld noted that Schubert and Franz Lachner played it on 9 May 1828. Diabelli published it in March 1829, a few months after Schubert’s death. The printed edition carries a dedication to his former pupil Karoline Esterházy, though it isn’t in his manuscript.
It runs as four connected sections without a break, a shape it shares with his Wanderer Fantasy. The opening tune, with its dotted rhythms, has a Hungarian lilt. A stormy Largo and a lively scherzo, both in F-sharp minor, follow, and then the opening returns and turns into a fugue on the second theme. The fugue breaks off, and after a short silence the opening tune returns briefly before a quiet end.

What to play next

Schubert · Marches militaires, D. 733 (four hands)
An easier way in: Schubert duets that are short and cheerful.
Intermediate
Fauré · Dolly Suite, Op. 56 (four hands)
Easier and gentler, a good warm-up for the same pair.
Intermediate
Dvořák · Slavonic Dances, Op. 46 (four hands)
Same level, with more dance and colour.
Advanced
Mozart · Sonata for Two Pianos in D, K. 448
The step up, for a pair who have two pianos available.
Very demanding
More in the full list by difficulty, or browse:

Find people to play it with

Create your profile from this page and the piece is added for you as one you’d like to play; say whether it’s just for fun or for a performance. Members near you who want the same piece show up in your daily picks on People, and you can say hello. Need a room? See practice rooms in New York, Boston, the Bay Area and Los Angeles, and our notes on meeting safely.

Find your music partners

Say what you play and what you’d love to play, then find players or concert company.
Free · wherever you live

This week in classical music, every Thursday

Your city’s concerts for the week, plus livestreams and radio from anywhere. Just your email; unsubscribe any time.
Rhapsodate
Find your classical music partners, wherever you live: people to play chamber music with, and company for concerts.
Something not working, or an idea? Report a problem or suggest a feature. We read every message. Or email support@rhapsodate.com.
© 2026 Rhapsodate
Listings come from presenters’ own sites, our partners and members, and are updated every week.
Problem or idea?