Duo · about 12–13 minutes

Poulenc: Flute Sonata

Short, melodic and witty, with a songful slow movement. It suits a confident flautist and a pianist who enjoys Poulenc’s quick changes of mood.
Advanced
For flute and piano
Players
flute and piano
Difficulty
Advanced, judged by the hardest part
Length
About 12–13 minutes
Written
1956–57, in Cannes
Also known as
Sonata for Flute and Piano · FP 164
Score and parts
IMSLP page. Still in copyright in the US and the EU: buy the Chester edition.

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Flute
Lyrical lines in the first two movements, and plenty of trills and quick tonguing. The slow movement needs long, even breath.
Advanced
Piano
Poulenc was the pianist at the premiere, and the part is full and busy, with sudden shifts of mood. The finale is quick and needs a light touch.
Advanced

The movements

I. Allegro malinconico. Melancholy and restless, with frequent changes of character. Agree on the tempo changes before you begin.
II. Cantilena. A slow, singing song for the flute over a simple accompaniment. The easiest to read and the heart of the piece.
III. Presto giocoso. Fast, cheeky and rondo-like. The flute’s tonguing and the piano’s quick chords must line up exactly.

Reading it together for the first time

Start with the Cantilena: it reads easily and gets you breathing and phrasing together.
The music is still under copyright in the US and the EU, so outside Canada and other life+50 countries buy the Chester edition rather than printing from IMSLP.
Take the finale under tempo the first time; it only works when it’s exactly together.
At about twelve minutes, it pairs well with a Baroque sonata or another short French piece in the same session.

About the piece

The Library of Congress commissioned it, and it is dedicated to the memory of Elizabeth Sprague Coolidge, an American who did much to support chamber music. Poulenc turned the request down at first in 1956, then agreed that August, admitting that wind instruments suited him better than strings. He wrote it in Cannes between December 1956 and March 1957. The tune of the slow movement echoes his opera Dialogues des Carmélites, which he was still finishing when the request came.
Jean-Pierre Rampal, for whom it was written, gave the first public performance with Poulenc at the piano at the Strasbourg festival on 18 June 1957. The three movements last about twelve minutes. A corrected edition by Carl B. Schmidt and Patricia Harper appeared in 1994, fixing errors in the first printed score.

Hear it live

No performances in New York, Boston, the Bay Area or Los Angeles on our listings right now. We update them every week.

What to play next

Bach · Flute Sonata in E-flat, BWV 1031
An easier way in for the same pair, with a famous slow movement.
Intermediate
Poulenc · Oboe Sonata
Poulenc again at the same level, for an oboist and the same pianist.
Advanced
Poulenc · Clarinet Sonata
Poulenc again at the same level, for a clarinettist and the same pianist.
Advanced
Poulenc · Sextet for Piano and Winds
The step up: Poulenc for the pianist and a full wind quintet.
Very demanding
Debussy · Sonata for Flute, Viola and Harp
A step up in French flute chamber music, with viola and harp.
Very demanding
More in the full list by difficulty, or browse:

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