Brahms: Piano Trio No. 1
Piano and strings · about 33–34 minutes

Brahms: Piano Trio No. 1 in B, Op. 8

A big, generous Romantic trio for experienced players, with a famous long cello tune at the start and a heavy piano part. Make sure everyone has the same version.
Very demanding
For violin, cello and piano
Players
violin, cello and piano
Difficulty
Very demanding, judged by the hardest part
Length
About 33–34 minutes
Written
1853–54, revised 1889
Also known as
Op. 8 · Piano Trio in B major · B major Trio

Part by part

The piece is rated by its hardest part. Here is how each part compares, so a group can see who will need to practise most.
Violin
Waits while the cello and piano present the opening theme, then shares the long lines. Needs a big, sustained sound to balance a full piano part.
Advanced
Cello
Gets the first great tune of the piece and a melody in the middle of the slow movement. Lots of exposed, singing playing.
Advanced
Piano
Thick chords, wide stretches and quick, light figuration in the scherzo. Brahms’s piano writing is heavy work, and the pianist sets the balance for the whole group.
Very demanding

The movements

I. Allegro con brio. Opens with the piano and the cello’s long tune, then grows steadily in intensity. Pace yourselves: it is a long movement.
II. Scherzo. Allegro molto. Quick, quiet and feathery in B minor, interrupted by loud outbursts, with a broad B major trio in the middle.
III. Adagio. A slow theme in full piano chords, with a cello melody in the middle section. Needs control of slow bows and soft dynamics.
IV. Finale. Allegro. Restless, chromatic and driven by a dotted rhythm, ending in B minor. The hardest movement to keep together.

Reading it together for the first time

Check that all three of you are reading the revised (1889) version. IMSLP has both, and the Henle edition prints the revision with the original in an appendix: the two differ a lot.
Start with the scherzo. It’s short, the outline is clear, and it shows quickly how quietly the piano needs to play.
In the first movement, let the violinist rest while the cello and piano set the tempo for the opening tune. Agree on that tempo before you start.
Plan for a full session: the trio runs over half an hour, and the finale will need going back to.

About the piece

Brahms was only twenty when he finished the first version, in January 1854. Thirty-five years later, in 1889, he went back to it and rewrote much of it, keeping the long opening tune but replacing large stretches of music and making it much shorter. Groups today nearly always play the revision, and the notes here are for that one. The revision was first heard in Budapest in January 1890, and Simrock published it in 1891.
Among the things Brahms took out were a fugue in the first movement, a quotation from a Schubert song in the slow movement, and a cello theme in the finale that seems to echo Beethoven’s song cycle “An die ferne Geliebte”. What remains begins in a broad, warm B major and ends, unusually, in a stormy B minor.

Hear it live

No performances in New York, Boston, the Bay Area or Los Angeles on our listings right now. We update them every week.

What to play next

Dvořák · Piano Trio No. 4 in E minor, Op. 90 “Dumky”
An easier way in: Dvořák’s “Dumky” is a level lower and full of tunes.
Advanced
Mendelssohn · Piano Trio No. 1 in D minor, Op. 49
Same level, shorter and lighter in texture, and it also opens with a cello tune.
Very demanding
Brahms · Piano Trio No. 3 in C minor, Op. 101
Brahms again: much shorter and more concentrated, just as demanding.
Very demanding
Brahms · Piano Quintet in F minor, Op. 34
For the same pianist and cellist with two more string players: Brahms on a bigger scale.
Very demanding
More in the full list by difficulty, or browse:

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