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Chamber music by difficulty

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Baroque

7 pieces, rated by the hardest part

Baroque chamber music by difficulty

Trio sonatas and sonatas with continuo (a cello and a keyboard sharing the bass line). Many are approachable, and they suit groups with a harpsichord or a pianist happy to play from a figured bass.

Approachable

2 pieces

Readable by most amateur players; good for a first session together.

Corelli · Trio Sonatas, Op. 3

For 2 violins, cello and harpsichord. Keyboard part from a figured bass or a realized edition; piano works too.

Pachelbel · Canon in D

For 3 violins and cello. Usually with a keyboard too.

Intermediate

2 pieces

Needs a confident amateur on every part, and some practice beforehand.

Handel · Trio Sonatas, Op. 2

For 2 violins, cello and harpsichord. Also with flute or oboe on the top parts.

Vivaldi · Trio Sonata in D minor, RV 63 “La Follia”

For 2 violins, cello and harpsichord

Advanced

3 pieces

Standard repertoire with real technical demands. Prepare your part.

Bach · Concerto for Two Violins in D minor, BWV 1043 (with piano)

For 2 violins and piano. The orchestra part played on piano.

Bach · Trio Sonata from The Musical Offering, BWV 1079

For flute, violin, cello and harpsichord

Telemann · “Paris” Quartets

For flute, violin, cello and harpsichord. Also with viola da gamba.

How we rate difficulty

Each piece is rated by its hardest part, so a trio with an easy cello part and a very hard piano part counts as very demanding. Pieces with a link have their own page, with a level for each part and tips for reading it together. It’s our own rough guide; see the full list to filter by instrument and level together.

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Baroque chamber music by difficulty

Approachable

Intermediate

Advanced

How we rate difficulty

Other lists

Find people to play them with

Find your music partners